CONTEMPORARY
50–120mm F2.8 DC OS

50–120mm F2.8 DC OS - Highlight Image
50–120mm F2.8 DC OS 50–120mm F2.8 DC OS 50–120mm F2.8 DC OS 50–120mm F2.8 DC OS 50–120mm F2.8 DC OS 50–120mm F2.8 DC OS
50–120mm F2.8 DC OS
50–120mm F2.8 DC OS
50–120mm F2.8 DC OS
50–120mm F2.8 DC OS
50–120mm F2.8 DC OS
50–120mm F2.8 DC OS
NUOVO

contemporary

50–120mm F2.8 DC OS

Attacchi disponibili

  • Design estremamente compatto e leggero
  • Prest azioni ottiche e funzionalità di scatto senza compromessi
  • Supporta riprese confortevoli sia di foto che di video

Prestazioni ottiche senza compromessi in un corpo eccezionalmente compatto Il teleobiettivo zoom ad ampia apertura definitivo per fotocamere APS-C

Il Sigma 50-120mm F2.8 DC OS | Contemporary è un teleobiettivo zoom ad ampia apertura per fotocamere APS-C caratterizzato da un design eccezionalmente compatto e leggero. Con un'apertura costante di F2.8, copre la gamma tele equivalente a circa 75-180mm nel formato 35mm. Funzionalità di fascia alta si uniscono alla portabilità e alla mobilità richieste da un obiettivo APS-C, in un corpo straordinariamente compatto che misura 99mm di lunghezza e pesa solo 390g*. L'ampio bokeh e l'effetto di compressione che solo un teleobiettivo può offrire gli consentono di operare in un'ampia gamma di situazioni, dai ritratti agli eventi all'aperto. Insieme al Sigma 10-18mm F2.8 DC DN | Contemporary e al Sigma 18-50mm F2.8 DC DN | Contemporary già presenti sul mercato, completa una serie di zoom completa e di alta qualità che copre dall'ultra-grandangolo al teleobiettivo con un'apertura costante di F2.8, stabilendo un nuovo standard per gli obiettivi zoom APS-C.

* I dati si riferiscono all'attacco Sony E.

50–120mm F2.8 DC OS

SPECIFICHE TECNICHE

CARATTERISTICHE

COSTRUZIONE OTTICA

TECNOLOGIA

Tipo di fotocamera Mirrorless
Attacco obiettivo Sony E-mount, FUJIFILM X Mount, Canon RF Mount
Formato del sensore APS-C [DC]
Schema ottico 18 elementi in 13 gruppi
Angolo di campo Angolo di campo

Canon RF Mount: 30,0°-12,8°
FUJIFILM X Mount: 31,7°-13,5°
Sony E-mount: 31,7°-13,5°
Numero di lamelle del diaframma 11 (diaframma arrotondato)
Apertura minima F22
Distanza minima di messa a fuoco 23cm(W) - 55cm(T) / 9.1in.(W) - 21.7in.(T)
Rapporto di ingrandimento massimo 1:3
Diametro del filtro φ55mm
Dimensioni (Diametro × Lunghezza) Canon RF Mount: φ69.0mm x 97.0mm / φ2.7in. x 3.8in.
FUJIFILM X Mount: φ66.8mm x 99.3mm / φ2.6in. x 3.9in.
Sony E-mount: φ66.8mm x 99.0mm / φ2.6in. x 3.9in.
Peso Canon RF Mount: 410g / 14.5oz.
FUJIFILM X Mount: 390g / 13.8oz.
Sony E-Mount: 390g / 13.8oz.
Numero edizione C026

Il codice a tre cifre sulla superficie dell'obiettivo indica l'anno di prima uscita dell'obiettivo.
(Poiché è diverso dall'anno di produzione, l'anno di uscita e il numero di edizione potrebbero non corrispondere a seconda dell'innesto.)
Compatibilità fotocamera LINK
* L'aspetto e le specifiche del prodotto sono soggetti a modifiche. * Questo prodotto è sviluppato, prodotto e venduto in base alle specifiche dell'attacco E, divulgate da Sony Corporation nell'ambito di un accordo di licenza con Sony Corporation. * L'attacco RF Canon è sviluppato, prodotto e venduto su licenza di Canon Inc. .
  • Lens construction

    FLD glass SLD glass Aspherical lens



    MTF CHART

    Diffraction MTF

    Diffraction MTF

    Geometrical MTF

    Geometrical MTF


    Spatial frequency
    S: Sagittal Line
    M: Meridional Line

    10lp/mm



    30lp/mm






    MTF CHART GUIDE

    The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
    The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.

    *The MTF chart depicts the result at the wide-open aperture.
    *For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
    *The spatial frequency indicates the variation on the image plane before distortion correction is performed.

Easier to carry, with nothing given up: a new standard for APS-C telephoto zooms
A highly versatile zoom range of approximately 75-180mm in 35mm equivalent terms, a constant F2.8 aperture, uncompromising optical performance and full-fledged shooting features are all condensed into a compact body just 99mm long and weighing a mere 390g*. It meets every high portability and mobility requirement of an APS-C lens, while raising the class’ standard for both performance and functionality, making it a definitive APS-C telephoto zoom lens. * The figures are for Sony E-mount.
A high-performance constant F2.8 zoom series, from wide-angle to telephoto
With the Sigma 50-120mm F2.8 DC OS | Contemporary joining the Sigma 10-18mm F2.8 DC DN | Contemporary and Sigma 18-50mm F2.8 DC DN | Contemporary already on the market, the constant F2.8 zoom series is now complete, covering everything from ultra-wide-angle to telephoto. All three lenses together weigh less than 1kg, making it possible to put together a system that combines high performance with genuine mobility.
Lavish optical construction
An optical construction that combines one FLD glass element, three SLD glass elements and four aspherical elements in exactly the right arrangement achieves both high optical performance and compact dimensions. Throughout the zoom range, from the center of the frame to the edges, various optical aberrations are corrected to achieve exceptionally high contrast.
Rendering that only a telephoto lens can deliver
The large bokeh and compression effect of a telephoto lens equivalent to approximately 180mm in 35mm terms enable expression that ranges from portraiture that makes the subject stand out to flat product photography where perspective is kept in check.
Designed to minimize focus breathing
The optical design minimizes focus breathing. Because shifts in the angle of view during focusing are suppressed, the lens supports natural video expression with little change in composition.
Features that assist comfortable shooting
In addition to high-speed AF driven by an HLA (High-response Linear Actuator) linear motor, the OS2 image stabilization algorithm delivers 6.5 stops of optical stabilization at the wide end and 4.5 stops* at the telephoto end. Everything a telephoto zoom needs for demanding shooting conditions is brought together here in optimal balance. * Based on CIPA guidelines. (Measured at a focal length of 50mm and 120mm using an APS-C mirrorless camera)
An intuitive, easy-to-understand control layout
Switches such as the focus mode switch and the OS switch have been removed, giving the lens a minimal, easy-to-understand interface that stays intuitive to operate despite its high functionality.
Dust- and splash-resistant structure* and water- and oil-repellent coating
In addition to a dust- and splash-resistant structure, the frontmost surface of the lens has a water- and oil-repellent coating, allowing photographers to shoot without concern even in difficult outdoor environments. * The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction.

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