SMALL,POWERFUL,ADAPTABLE

The Sigma FP2 is a camera fully designed around human creativity. Purposefully deconstructed, its identity rests on three core principles: small, powerful, adaptable. Equipped with a full-frame sensor, it remains light and pocketable, achieving the world’s smallest*1 body. It scales to its user, offers functionality without clutter, and switches seamlessly between Still and Cine, each with its own workflow and dedicated UI. Even in the digital age, taking a photograph is a deeply physical process. There is a powerful connection between the experience of using a camera and the philosophy behind its design. How it feels to hold and use the camera guides how you see and capture the world. *1 As of October 2026, by Sigma.
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THIS IS YOUR CAMERA

Photography reveals deep, fundamental truths about the subject in front of the camera, the photographer behind it and the relationship between them. It is a personal form of expression. Even given the same circumstances, no two people will ever take the same picture.

This is why we believe the photographer should not need to adapt to their camera. In our view, the ideal camera is one that fits seamlessly into the individual preferences, requirements, and style of the photographer. It should be a natural extension of the photographer’s physical and mental self; a true tool whose presence disappears in use. This is the belief behind Sigma’s approach to camera design.

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Full-frame expressive power andwide dynamic range

At the heart of the Sigma FP2 is an advanced full-frame sensor that captures images with exceptional resolution, rendering power, depth of color and subtle tonal gradation. Its uncompromising performance gives photographers the freedom to capture any scene or subject, no matter the shooting conditions.

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Color modes for creative freedomin photography

Thirteen color modes, selectable with the dedicated “Color” button, enable intuitive and unrestricted creative expression . Developed on the basis of Sigma’s own color science, this diverse range of preset modes lets photographers craft the tone of their work, capture the atmosphere of the moment and bring out the full appeal of their photography.

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A true evolution of the fp series

The Sigma FP2 inherits the innovative concept of the original fp, along with the distinctive character that made it one-of-a-kind. At the same time, every element and function of the camera has been reexamined and refined to create a more intuitive and expressive shooting experience, making the FP2 a true evolution of the fp series.

A NEW FREEDOM IN FRAMING

Tilting LCD for broader perspectives
While keeping its compact body, the Sigma FP2 features a tilting LCD that tilts up 90° and down 45°. From low angles to high angles, it broadens the photographer’s perspective.

A NEW FREEDOM IN FRAMING

Dedicated external electronic viewfinder for focused shooting


Easily attached to and detached from the camera via a single USB-C port, the high-resolution, high-luminance electronic viewfinder helps photographers feel deeply immersed in their photography. Its tilting mechanism angles upward by up to 90°, making it comfortable to shoot not only at eye level but also at waist level.

24.5-megapixel partially stacked CMOS sensor

The high-performance partially stacked CMOS sensor delivers outstanding rendering power, advanced AF performance and excellent dynamic range. Its high-speed readout significantly reduces rolling shutter distortion, enabling even faster continuous shooting and video recording at high frame rates.

MANUFACTURED IN AIZU

Like all Sigma products, the FP2 is fully manufactured and assembled in our factory in Aizu, Japan. Its precise build quality, reliability, and sensory qualities are made possible by our unique production system and the expertise and craftsmanship of our skilled staff.
Every texture, material, and detail has been carefully chosen to complement the precision and sensitivity of the human hand. Each element serves a purpose, enabling photographers to work and express themselves in their own way.

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CAPTURED WITH FP2

The following series were captured with the Sigma FP2. Taken by three renowned artists known for their unique styles, these works showcase different approaches to photography and filmmaking, revealing the camera’s expressive capabilities.

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A full-fledged cinema cameraat the flip of a switch

The Sigma FP2 is both a still camera and a full-fledged cinema camera. A single dedicated switch on the top of the body instantly toggles between STILL mode and CINE mode, each with functions, a user interface and a workflow fully optimized for that mode. Optimized for the creative production process and highly customizable, the FP2 is a true cinema camera capable of cinema-quality imagery, offering both mobility and performance in an exceptionally compact and lightweight body.

A compact, dedicated cinema camera

Transforming to suit its setup, the Sigma FP2 serves as a compact full-frame digital cinema camera for a wide range of video production. With a wealth of functions packed into its compact body, it covers every type of production, from personal vlogs and fly-on-the-wall documentaries to high-end film and TV productions.

Professional Cine Features

6K OpenGate recording

The Sigma FP2 supports 6K OpenGate recording, capturing every bit of information from the full-frame sensor. Footage can be adapted to a variety of formats with different aspect ratios while maintaining high image quality, supporting video production in the multi-platform era.

Up to 14.1 stops*2of dynamic range

Designed with ample highlight headroom, the Sigma FP2 delivers rich tonal gradation even in high-contrast environments. With 7 stops of headroom secured at ISO 1250 and above, it offers greater freedom for color grading in post-production.

*2 When using 4K FF L-Log.

Up to 14.1 stops*2of dynamic range

32-bit float audio recording*3

The Sigma FP2 supports 32-bit float audio recording, reducing noise at low volumes and clipping at high volumes for recording with a wide dynamic range.

*3 When the optional HU-21 hot shoe unit is attached and the Panasonic DMW-XLR2 and DMW-DMS1 are used.

32-bit float audio recording*3

Support for advanced post-production

The Sigma FP2 supports Apple ProRes RAW, which combines a high degree of editing flexibility with the efficient data handling of compression. It also supports L-Log from Leica Camera AG , which can be edited directly in a wide range of grading software, accommodating a diverse range of workflows.

Director’s Viewfinder function

The Sigma FP2 is equipped with a Director’s Viewfinder function that can simulate the shooting ranges of various brands’ cinema cameras. In addition to the desqueeze display mode for use with anamorphic lenses, the FP2 now supports the latest equipment, including the ARRI ALEXA 35 and Sony VENICE 2 / BURANO. The LCD Viewfinder LVF-21 (sold separately) is also available, allowing users to reliably check the view on the optical axis.

Director’s Viewfinder function
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NEW

FP2

  • Top-class performance in the world’s smallest body
  • A full-fledged cinema camera at the flip of a switch
  • Accessories for greater expandability

SPECIFICATIONS

SAMPLE IMAGES

Mount L-Mount
Klevu Hover Image no_selection
Format Type Interchangeable-lens Mirrorless Type Digital Camera
Storage Media Internal Memory (Approx. 70 GB), SDXC memory card (UHS-Ⅱ supported), Portable SSD (USB 3.2 connection, USB bus power supported)
Lens Mount L-Mount
Sensor type 35 mm full-frame (35.9 mm x 23.9 mm) partially stacked CMOS sensor
Camera effective pixels / Total pixels Approx. 24,6 MP (6072 x 4056) / Approx. 25,3 MP (6104 x 4142)
Aspect ratio 3:2
Still Image File Format Lossless compression RAW (DNG) data 14 bit / JPEG (Exif3.0), RAW (DNG) + JPEG recording is possible
Image aspect ratio [21:9], [16:9], [3:2], [A Size], [4:3], [6x7], [1:1]
File size - RAW 6016 x 4012
File size - JPEG 6016 x 4012
Movie format ProRes RAW HQ, ProRes RAW (12bit) / MOV: H.264, H.265, L-Log
Audio format Linear PCM (4ch 96 kHz, 2ch 192 kHz / 24 bit), Float (4ch 96 kHz, 2ch 192 kHz / 32 bit)
Movie Recording Size / Frame Rate 6K* / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps *Cannot be used in conjunction with EIS 4K / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps (100 fps and 119.88 fps are also supported in Crop mode) 2K / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 100,
Video Aspect Ratio [3:2], [16:9], [17:9], [4:3] *2K: [16:9] only
Continuous recording time (internal) 2 hours
AF System / Focus mode Image plane phase-difference AF + Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus
AF Sensitivity Range / AF mode -5~18 EV (F1.4: ISO 100) / 6-steps
Other Focus Functions Subject Tracking AF (Human / Dog + Cat + Bird, with Eye AF), AF+MF, MF Magnification, Focus Peaking, Release / Focus Priority, Focus Ring Control (Non-linear, Linear)
Metering Mode Evaluative, Spot Metering
Metering Range -5 ~ 18 EV (50 mm F1.4: ISO100)
Still Image Shooting Mode (P) Program AE (Program Shift capable), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual
Movie Shooting Mode (P) Program AE, (S) Shutter Angle/Speed Priority AE, (A) Aperture Priority AE, (M) Manual
Exposure Compensation ±5 EV (in 1/3 stop increments) : ±3 EV at movie recording
AE Lock (Exposure Control) Half-press the shutter button, or press the AEL button (setting change required)
Exposure Bracket 3 shots, 5 shots stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)
Exposure Assist Brightness Level Monitor (Waveform, Histogram ), Zebra Pattern, False Color
Image Stabilization System Image Stabilization System (EIS)
White balance Settings 9 types (Auto, Auto [Lighting Source Priority] , Incandescent, Fluorescent, Daylight, Overcast, Flash, Shade, Manual [50 K steps]) , Custom 1-10 settings can be added
Shutter Type Electronic shutter
Shutter Speed 1/25600 - 30 seconds, Bulb (up to 5 minutes)
Drive Modes Single Capture, Continuous, Self-timer, Interval Timer (Movie output availiable), Exposure Bracketing, Focus Bracketing, White balance Bracketing
Monitor Type / Coverage Tilting TFT color LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots , Electrostatic capacitance system touch panel / Approx. 100%
Angle Adjustment Approx. +90~-45 degrees
Color mode 13 types Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, Monochrome
Flash Mode (External flash) S-TTL Auto Exposure, Manual Flash, Wireless Flash, Multi Flash
Optional Flash Functions Red-eye Reduction, Slow Synchronization, Rear Curtain Synchronization
Exposure control (External flash) Max. ±3 EV in 1/3EV step increments
Flash Tuning Speed (External flash) Max. 1/50 sec. * 1/60 sec. or less at crop mode
External Flash Support Available when the HOT SHOE UNIT HU-21 is mounted. (shares specifications with OM System / Lumix)
Director’s Viewfinder Supported Cameras: ARRI: ARRICAM / ARRIFLEX, ALEXA LF / ALEXA Mini LF, ALEXA Mini, AMIRA, ALEXA 35 Xtreme SONY: VENICE / VENICE 2 6K, VENICE 2 8K, BURANO RED: MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, V-RAPTOR XL [X], KOMODO X
Desqueeze Ratio 1.25x, 1.3x, 1.33x, 1.5x, 1.6x, 1.65x, 1.8x, 2.0x
Other Function Save / Load Settings via QR code, Screenshot, Webcam, In-camera DNG Development, Still image capture from recorded movie files, Fill Light (Supports only in-camera DNG Development), Gyroflow support
Built-in Microphone / Speaker Stereo Microphone, Monaural Speaker
Display Language English / Japanese / German / French / Spanish / Italian / Simplified Chinese / Traditional Chinese / Korean / Russian / Dutch / Polish / Portuguese / Danish / Swedish / Norwegian / Finnish
Interface USB Type-C Port 1: USB 2.0 Type-C (UAC, Cable Release, EVF, Charging / Power Delivery) Port 2: USB 3.2 Type-C (Mass Storage, UVC, UAC, Cable Release, Charging / Power Delivery)
HDMI Type A (Ver.2.1)
Release Terminal Cable Release (via USB)
External Microphone Φ3.5 mm stereo mini jack (Plug-in power support), USB (UAC 2.0 support)
Sample image by Mina Daimon
CameraSigma FP2
Shutter Speed1/1600s
Lens F NumberF9
ISO400
Focal Length90mm
PhotographerMina Daimon
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Sample image by Mina Daimon
CameraSigma FP2
Shutter Speed1/3200s
Lens F NumberF2.8
ISO400
Focal Length90mm
PhotographerMina Daimon
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Sample image by Mina Daimon
CameraSigma FP2
Shutter Speed1/10000s
Lens F NumberF2
ISO400
Focal Length50mm
PhotographerMina Daimon
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Sample image by Mina Daimon
CameraSigma FP2
Shutter Speed1/125s
Lens F NumberF3.5
ISO800
Focal Length57mm
PhotographerMina Daimon
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Sample image by Naoki Miyashita
CameraSigma FP2
Shutter Speed1/1600s
Lens F NumberF2.8
ISO400
Focal Length105mm
PhotographerNaoki Miyashita
Download
Sample image by Naoki Miyashita
CameraSigma FP2
Shutter Speed1/50s
Lens F NumberF2.8
ISO3200
Focal Length70mm
PhotographerNaoki Miyashita
Download
Sample image by Naoki Miyashita
CameraSigma FP2
Shutter Speed1/125s
Lens F NumberF1.2
ISO400
Focal Length50mm
PhotographerNaoki Miyashita
Download
Sample image by Naoki Miyashita
CameraSigma FP2
Shutter Speed1/400s
Lens F NumberF8
ISO400
Focal Length136.9mm
PhotographerNaoki Miyashita
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Sample image by Masami Tanaka
CameraSigma FP2
Shutter Speed1/10000s
Lens F NumberF5.6
ISO800
Focal Length500mm
PhotographerMasami Tanaka
Download
Sample image by Masami Tanaka
CameraSigma FP2
Shutter Speed1/20s
Lens F NumberF11
ISO800
Focal Length1000mm
PhotographerMasami Tanaka
Download
Sample image by Masami Tanaka
CameraSigma FP2
Shutter Speed1/60s
Lens F NumberF5.6
ISO1000
Focal Length500mm
PhotographerMasami Tanaka
Download
Sample image by Masami Tanaka
CameraSigma FP2
Shutter Speed1/5000s
Lens F NumberF5.6
ISO640
Focal Length500mm
PhotographerMasami Tanaka
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