28-105mm F2.8 DG DN 28-105mm F2.8 DG DN 28-105mm F2.8 DG DN 28-105mm F2.8 DG DN 28-105mm F2.8 DG DN
28-105mm F2.8 DG DN
28-105mm F2.8 DG DN
28-105mm F2.8 DG DN
28-105mm F2.8 DG DN
28-105mm F2.8 DG DN

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28-105mm F2.8 DG DN

Available mounts

  • Constant F2.8 aperture across a versatile 28-105mm zoom
  • Superb portability thanks to a weight of less than 1kg
  • Professional features, fast AF and excellent build quality

SPECIFICATIONS

FEATURES

LENS CONSTRUCTION / MTF

TECHNOLOGY

SAMPLE IMAGES

Camera Type Mirrorless
Corresponding Mount L-Mount, Sony E-mount
Sensor size Full-frame [DG]
Lens Construction 18 elements in 13 groups (2 FLD, 1 SLD, and 5 aspherical elements)
Angle of View 75.4°-23.3°
Number of Diaphragm Blades 12 (rounded diaphragm)
Minimum Aperture F22
Minimum Focusing Distance 40cm
Maximum Magnification Ratio 1:3.1
Filter Size φ82mm
Dimensions (Diameter × Length) L-Mount:φ87.8mm x 157.9mm / φ3.5in. x 6.2in.
Sony E-mount:φ87.8mm x 159.9mm / φ3.5in. x 6.3in.
Weight (g) L-Mount:995g / 35.1oz.
Sony E-mount:990g / 34.9oz.
Edition Number A024

The three-digit code on the surface of the lens is to indicate the year the lens was first released. (Since it is different from the year of manufacture, the release year and edition number may not match depending on the mount.)
Supplied Accessories Case, LENS HOOD LH878-07, FRONT CAP LCF-82 III, REAR CAP LCR II
EAN L-Mount:00-85126-63669-2
Sony E-mount:00-85126-63665-4
Camera Compatibility LINK
Specification info *The appearance and specifications of the product are subject to change.

*This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

*L-Mount is a registered trademark of Leica Camera AG.
Sample image by Meg Loeks
CameraSony α7R IV
Shutter Speed1/400s
Lens F NumberF2.8
ISO100
Focal Length91.2mm
PhotographerMeg Loeks
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Sample image by Meg Loeks
CameraSony α7R IV
Shutter Speed1/500s
Lens F NumberF2.8
ISO250
Focal Length105mm
PhotographerMeg Loeks
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Sample image by Meg Loeks
CameraSony α7R IV
Shutter Speed1/640s
Lens F NumberF2.8
ISO320
Focal Length105mm
PhotographerMeg Loeks
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Sample image by Meg Loeks
CameraSony α7R IV
Shutter Speed1/640s
Lens F NumberF2.8
ISO320
Focal Length105mm
PhotographerMeg Loeks
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Sample image by Noriko Yamaguchi
CameraSIGMA fp L
Shutter Speed1/125s
Lens F NumberF2.8
ISO100
Focal Length105mm
PhotographerNoriko Yamaguchi
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Sample image by Noriko Yamaguchi
CameraSIGMA fp L
Shutter Speed1/60s
Lens F NumberF8
ISO200
Focal Length28mm
PhotographerNoriko Yamaguchi
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Sample image by Darren White
CameraPanasonic DC-S5M2
Shutter Speed1/125s
Lens F NumberF5.6
ISO200
Focal Length105mm
PhotographerDarren White
Download
Sample image by Darren White
CameraPanasonic DC-S5M2
Shutter Speed1/100s
Lens F NumberF2.8
ISO200
Focal Length105mm
PhotographerDarren White
Download
Sample image by Darren White
CameraPanasonic DC-S5M2
Shutter Speed1/2s
Lens F NumberF11
ISO100
Focal Length28mm
PhotographerDarren White
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Sample image by Emiko Kato
CameraSony α7R V
Shutter Speed1/100s
Lens F NumberF2.8
ISO125
Focal Length84.6mm
PhotographerEmiko Kato
Download
Sample image by Emiko Kato
CameraSony α7R V
Shutter Speed1/50s
Lens F NumberF2.8
ISO100
Focal Length38.2mm
PhotographerEmiko Kato
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Lens construction

Lens construction diagram
FLD glass SLD glass Aspherical lens

MTF Chart

The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.

*The MTF chart depicts the result at the wide-open aperture.
*For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
*The spatial frequency indicates the variation on the image plane before distortion correction is performed.

Spatial frequency

S: Sagittal Line

M: Meridional Line

10lp/mm

30lp/mm

Diffraction MTF

Diffraction MTF chart 1

Diffraction MTF

Diffraction MTF chart 2

Geometrical MTF

Geometrical MTF chart 1

Geometrical MTF

Geometrical MTF chart 2
  • Constant F2.8 aperture across a versatile 28–105mm zoom

    Many conventional zoom lenses which have a reach up to 105mm do not offer a constant F2.8 aperture, usually dropping to F4 at the long end. But the Sigma 28–105mm F2.8 DG DN | Art delivers the same impressive light-gathering and depth-of-field benefits across the whole focal range. The lens offers all of this along with extremely high optical performance thanks to the thorough suppression of optical aberrations within each lens group. And with its outstanding close-focusing capability when zoomed in, macro-style results are also possible.

  • A versatile F2.8 aperture perfect for portraits and low light

    With its fast aperture across the whole focal range, the Sigma 28–105mm F2.8 DG DN | Art is a true workhorse lens that can be used for almost any type of photography. Scenic photographers can shoot wide-angle landscapes, using the F2.8 aperture for low-light scenes and twilight urban views, while the middle focal lengths tackle dimly lit documentary and street subjects, allowing shutter speeds one stop faster than comparable lenses. At the long end, popular portrait focal lengths from 85mm and 105mm, combined with the F2.8 maximum aperture, produce a shallow depth-of-field that will isolate a subject impressively against large and beautiful bokeh.

    Sigma 28-105mm F2.8 DG DN portrait
  • Fill the frame with superb close-up performance

    Achieving a minimum focus distance of just 40cm across its entire zoom range, the Sigma 28–105mm F2.8 DG DN | Art can get you closer to your subject, filling the frame with detail and texture. At its 105mm setting, this creates a very useful maximum magnification ratio of 1:3.1 for powerful macro-style results.

  • Superior optical performance across the full zoom and focus range

    The Sigma 28–105mm F2.8 DG DN | Art operates without compromise, suppressing aberrations very effectively within each lens group, and throughout the entire zoom and focal range. This ensures the lens has a consistent performance even with such a long zoom range. This is thanks to the lens’s premium optical design, which includes two FLD, one SLD and five aspherical elements, the first grouping of which uses a large-diameter φ66.4mm element that is extremely difficult to produce and only available thanks to Sigma’s advanced manufacturing technology at its sole production base in Aizu, Japan.

    Lens construction diagram
  • Designed to minimize flare and ghosting

    Using advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, Sigma’s Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.

    Sample photo flare test
  • Minimal focus breathing

    Vital for film-makers who demand consistent framing, the lens has been designed to keep focus breathing to a minimum. This ensures that any changes to the angle-of-view due to focus shift are minimized across the entire zoom range, ensuring natural-looking focus pulls when recording video, and easier image alignment when focus stacking.

  • Superb portability thanks to a weight of less than 1kg

    Standard zooms should be small and light enough for all-day hand-held shooting, so the Sigma 28–105mm F2.8 DG DN | Art has been designed with portability in mind. It combines five aspherical elements effectively in place to shorten the overall length, and a magnesium-alloy construction around the mount, keeping the weight of the lens to less than 1kg. This ensures the lens has superb portability similar to shorter standard zoom lenses, while providing a wider zoom range.

    Lens portability design
  • Excellent optical performance in a streamlined body

    By using five aspherical elements in its optical construction, Sigma has succeeded in significantly shortening the lens’s total length without any compromise to sharpness and image quality. This advanced configuration was only made possible by continuous technological innovation and cutting-edge manufacturing processes at Sigma’s sole production base in Aizu, Japan.

    Lens in use
  • Professional features, fast AF and excellent build quality

    In addition to high-speed AF delivered by its linear motor HLA (High-response Linear Actuator), the Sigma 28–105mm F2.8 DG DN | Art packs in a range of features that help deliver the best possible results in every shooting situation. These include a dust- and splash-resistant structure and water- and oil-repellent coating, as well as a zoom lock switch, a de-clickable aperture ring, AFL buttons and the focus ring for easier handling including shooting with MF.

    Lens controls and buttons
  • A linear motor HLA for rapid and accurate AF

    The lens incorporates a linear motor HLA (High-response Linear Actuator) that delivers a maximum drive speed, ensuring responsive, precise and smooth AF. With its high level of quietness, the motor also provides noise-free video capability.

  • An aperture ring for improved ergonomics

    For quick changes to exposure, or a more traditional way of shooting, the lens is equipped with a dedicated aperture ring, allowing the user to change aperture via the lens if preferred. An aperture ring click switch is a useful tool for film-makers, and a lock switch helps ensure the aperture ring is not knocked out of its setting accidentally.

    Aperture ring details
  • Two AFL buttons* for added customization

    Located on the side and on top of the barrel, two customizable AFL buttons can easily be reached in either horizontal or vertical shooting positions, ensuring more ergonomic handling.

    * Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.

    AFL buttons on lens
  • Zoom lock switch to keep the zoom ring secure

    The lens is equipped with a zoom lock switch that holds the zoom mechanism in place at its wide end, preventing it from extending unintentionally under its own weight when carried. The lock can be released by the switch, or by turning the zoom ring for a faster and more flexible workflow.

    Zoom lock feature
  • Weather-resistant structure for challenging conditions

    The lens has a dust- and splash-resistant structure* that keeps it free of contaminants in harsh outdoor environments. The front element also features a water- and oil-repellent coating that helps keep it clean in adverse shooting conditions.

    * The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

    Dust and splash resistant lens design
  • Petal-type hood

    A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

    Petal-type lens hood

Beyond standard

Harness the power of this versatile and portable F2.8 optic with an extended 28-105mm focal range – a standard zoom that goes well beyond standard.

The Sigma 28-105mm F2.8 DG DN | Art is not just another standard zoom lens. With a powerful wide-angle to medium telephoto focal length and a bright F2.8 aperture throughout, this full-frame mirrorless zoom combines outstanding optical performance, superb build quality and a range of pro-grade features to make it one of the most versatile optics on the market for mirrorless systems.
The lens is built to tackle a huge range of subjects and situations, from expansive low-light landscapes to portraits with big, beautiful bokeh, and thanks to Sigma’s latest optical technology and the use of large diameter elements including FLD, SLD and five aspherical elements, it is able to do so with superb clarity and sharpness. This allows the lens to deliver exceptional versatility without compromising on optical quality. The lens also includes high-speed AF with HLA technology, a rugged dust- and splash-resistant structure, and various functions such as an aperture ring, all packed into a compact and lightweight body weighing less than 1kg, making it an exceptional all-round choice for both stills and video.

ABOUT THREE LENS LINES

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