Dimensions (Diameter × Length)
L-Mount:φ87.8mm x 120.2mm / φ3.5in. x 4.7in.
Sony E-mount:φ87.8mm x 122.2mm / φ3.5in. x 4.8in.
Weight (g)
L-Mount:745g / 26.3oz.
Sony E-mount:735g / 25.9oz.
Edition Number
A024
The three-digit code on the surface of the lens is to indicate the year the lens was first released. (Since it is different from the year of manufacture, the release year and edition number may not match depending on the mount.)
Supplied Accessories
CASE, LENS HOOD LH878-05, FRONT CAP LCF-82 III, REAR CAP LCR II
EAN
L-Mount:00-85126-94142-0
Sony E-mount:00-85126-94141-3
Specification info
*The appearance and specifications of the product are subject to change.
*This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
*L-Mount is a registered trademark of Leica Camera AG.
the AFL button can be assigned with various functions widens the range of operations available on the lens.
To increase stability, this lens configuration uses movable internal lens elements that adjust focus without changing the length of the lens barrel.
HLA is Sigma's proprietary linear motor. It drives the focus lens directly without going through gears or other mechanical parts, resulting in quiet, high-precision autofocusing.
Matching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality.
*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
*On cameras where lens aberration correction is controlled with 'ON' or 'OFF' in the camera menu, please set all aberration correction functions to 'ON'(AUTO).
The super multi-layer coating is combined with Sigma's unique coating technology "NPC (Nano Porous Coating)". The lens has been designed to be less susceptible to strong incident light such as backlight.
"NPC (Nano Porous Coating)" incorporates porous silica as the coating material. The porous silica layer has nano-sized holes with air inside. Having holes of this size enables a large reduction in the refractive index, allowing the reflectance to be lowered more than conventional anti-reflective coatings. As a result, reflected light causing flares and ghosting is sharply reduced, achieving clear image quality.
Sigma's own Super Multi-Layer Coating suppresses flare and ghosting by preventing reflections with in the lens. All lenses in the current Sigma range feature this original technology. In digital cameras, flare and ghosting may also be caused by reflections between the image sensor and lens surfaces. Here too, Sigma's Super Multi-Layer Coating is highly ef fective, assuring images of outstanding contrast.
Incorporates a water and oil-repellent coating that allows water to be wiped away easily and prevents oil and fat from sticking to the surface, even in challenging shooting conditions. At the same time, the maintenance of the lens surface becomes easier.
Aperture ring, designed to help users work intuitively
Mounted with a de-click function for removing clicks by the aperture ring click switch, enabling seamless operations that are especially useful such as during video shooting.
A ring lock system to prevent from unintended movement of the aperture ring during shooting.
Using this swich, it is possible to switch the focus mode between AF and MF.
A focus movement method of interchangeable lenses for mirrorless cameras (DN lens) in relation to the rotational angle of the focus ring during manual focusing.
With "non-linear focus," the amount of focal point movement varies depending on the focus ring rotational speed.
With linear focus, if the focus ring rotational angle is the same, the amount of focal point movement remains the same regardless of the focus ring rotational speed.
This lens features a highly effective dust and splash resistant structure with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection.
*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof, so please prevent large amounts of water from splashing on the lens. It is often impractical to repair the internal mechanism, lens elements and electric components if they are damaged by water.
The polygonal shape of a conventional iris diaphragm causes out-of-focus light points to appear polygonal. A rounded diaphragm is designed to produce rounded out-of-focus light points when opened to near maximum aperture. This creates attractive bokeh effects in many situations, such as when photographing a subject against an out-of-focus surface of water from which light is being reflected.
The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.
19 elements in 15 groups (6 FLD, 2 SLD, 5 aspherical elements)
The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1). The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.
*The MTF chart depicts the result at the wide-open aperture. *For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. *The spatial frequency indicates the variation on the image plane before distortion correction is performed.
Spatial frequency
S: Sagittal Line
M: Meridional Line
10lp/mm
30lp/mm
Diffraction MTF
Geometrical MTF
Rendering performance worthy of the flagship name
The Sigma 24-70mm F2.8 DG DN II | Art is the successor to the Sigma 24-70mm F2.8 DG DN | Art, which is known for its high optical performance, and has further improved resolution throughout the zoom range. The lens has high sharpness throughout the entire image from its maximum aperture, even on high-resolution cameras. Focusing on enhancing its rendering performance, the brightness of F2.8 produces a large, beautiful bokeh effect, and allows users to experience the power of a flagship lens in all types of visual expression. In addition to its advanced close-up capability and resistance to flare and ghosting, the lens is designed to minimize focus breathing, providing ideal images in any situation.
High optical performance across the entire image and zoom range
The optical design of the lens includes 6 FLD glass elements, 2 SLD glass elements, and 5 aspherical lens elements to thoroughly suppress various aberrations throughout the entire zoom range. In particular, sagittal coma flare has been well controlled to achieve consistently high resolution all the way to the periphery of the image. By also effectively correcting lateral chromatic aberration, high-resolution, beautifully rendered images can be achieved, free from color fringing.
Incorporating 5 aspherical lenses
The use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. Sigma’s Aizu factory’s ultra-high-precision aspherical molding technology makes it possible to produce the thin, highly polarized aspherical lenses essential for this construction. This has brought about a higher degree of freedom in optical design.
Excellent close-up capability
The lens has excellent close-up capability with a minimum focusing distance of 17 cm / 6.7 in. at the wide end and a maximum magnification ratio of 1:2.7. This is useful when composing close-up shots or shooting in tight spaces where distance is limited.
* Be extremely careful that the front lens element does not hit the subject when photographing. Remove the lens hood when photographing at the minimum focusing distance at the wide-angle end.
Designed to minimize flare and ghosting
Flare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology. Nano Porous Coating and Super Multi-Layer Coating further suppress flare and ghosting, enabling clear, high-contrast results in any lighting condition.
Minimal focus breathing
The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift across the entire zoom range is minimized, creating a natural-looking focus pulls when recording video.
Improved portability and expanded feature set
The body of the Sigma 24-70mm F2.8 DG DN II | Art is approximately 7% smaller and 10% lighter than the previous model, while adding an aperture ring and two AFL buttons. Despite this, it maintains Sigma’s renowned build quality with precise, robust construction for professional use.
Highly portable lens body
While the number of lens elements remains the same as the previous model, an improved optical and mechanical design shortens the overall length. With a maximum diameter φ87.8 mm × 120.2 mm and a weight of 745 g (L-Mount), this lens combines portability and professional performance.
Excellent build quality
Focusing on durability and precision, the use of metal parts for the zoom extension and the robust internal structure ensure rigidity during operation. The design emphasizes longevity and reliability, qualities expected of Sigma’s Art line tools.
Equipped with an aperture ring
The lens features an aperture ring with click and lock switches, providing intuitive control for both photo and video applications.
Equipped with two AFL buttons
The lens includes two customizable AFL buttons*, one on the side and one on the top, ensuring easy access in both horizontal and vertical orientations.
* Functions can be assigned on supported cameras only. Available functions may vary depending on the camera used.
Incorporating a linear motor HLA
The lens incorporates a linear motor HLA (High-response Linear Actuator) for the AF actuator. The high output HLA makes the maximum drive speed more than three times faster than the previous model*, ensuring responsive AF shooting.
* Compared by the maximum drive speed of the Sigma 24–70mm F2.8 DG DN II | Art with that of the Sigma 24–70mm F2.8 DG DN | Art (It is different from the actual time for AF to focus).
Dust- and splash-resistant structure and water- and oil-repellent coating
In addition to a dust- and splash-resistant structure, the front element features a water- and oil-repellent coating for greater reliability in outdoor conditions.
Equipped with a zoom lock switch at the wide end
The zoom lock switch prevents the barrel from extending unintentionally. It can be released via the switch or directly through zoom operation for efficient handling.
Including a petal-type hood with lock
A dedicated petal-shaped hood is supplied, featuring a secure locking mechanism for safe attachment and easy storage.
A classic, evolved.
The Art 24-70mm F2.8, evolved on all levels: rendering performance, functionality, and portability.
The Sigma 24-70mm F2.8 DG DN II | Art is Sigma's flagship lens that has evolved significantly from the previous model by incorporating the most advanced technologies available to Sigma from design to production. Compared to the previous Sigma 24-70mm F2.8 DG DN | Art, the Sigma 24-70mm F2.8 DG DN II | Art has improved resolving power throughout the entire zoom range, and also benefits from functional enhancements such as the addition of an aperture ring and high-speed AF with a redesigned AF motor, HLA (High-response Linear Actuator). The lens is also approximately 7% smaller and 10% lighter. This 24-70mm F2.8 Art zoom is a versatile and high-performance tool that will help photographers and filmmakers unlock their creative potential.