I would like to thank Sigma for providing the 10-18mm f/2.8 DC DN for review. I had the pleasure of testing and using this lens extensively during a pivotal phase of my project “Perle di Luce,” which documents the ancient art of glass bead making on the island of Murano—a traditional craft that has nearly disappeared.

The project follows a dual narrative axis: on one hand, a close observation of the artisan’s gestures and the creation of the beads; on the other, the environmental and cultural context in which these actions take shape. From this perspective, using an ultra-wide-angle focal length represented not just a technical choice, but a narrative opportunity.

Compactness and Practicality in a Mobile Project

One of the most striking aspects of this lens is its compactness. Its small size and light weight make it extremely easy to transport and integrate into a dynamic workflow. My process involved constant movement, access to very cramped spaces (typical of Venetian workshops), and the need to work with discretion. In a project often shot "on tiptoe," where the relationship with the artisans is central, the lightness and maneuverability of the equipment become essential.

On several occasions, I found myself heading out for sessions carrying only the Sigma 10-18mm. This was an unusual choice for me, as I typically work with focal lengths between 35mm and 50mm, but it became second nature thanks to the confidence I gained in this lens in a relatively short time.

Optical Performance: Sharpness, Color Rendering, and Aberration Control

In terms of performance, the Sigma 10-18mm f/2.8 proved itself even in complex situations and the unique lighting conditions typical of Murano workshops. The lens offers surprising sharpness even at wide-open apertures, which is crucial when working in dim or mixed ambient light.

The color rendering was rich, consistent, and natural, without excessive saturation. In a project where the colors of the beads and materials are integral to the story, this chromatic fidelity was a significant asset. Distortion and chromatic aberration were also excellently managed; they were well-controlled even when shooting scenes with strong structural elements (such as shelving, workbenches, and architectural frames), eliminating the need for invasive post-production corrections.

Creative and Narrative Impact on Spatial Storytelling

From an expressive standpoint, the lens proved to be an inspiring tool. The ability to go as wide as 10mm (approximately 15mm equivalent on Fujifilm X) allowed me to convey a more immersive and expansive view of the spaces. By including elements in the frame that would otherwise have been excluded, I was able to create a more articulated, environmental narrative.

This perspective gave the project "room to breathe," providing a visual contrast to tighter shots and strengthening the perception of the context in which Murano craftsmanship exists. The lens thus helped create a dialogue between the individual, the gesture, and the space—a fundamental aspect of my goal to tell the story of the relationship between individual creativity and the cultural environment.

The Sigma 10-18mm f/2.8 DC DN proved to be an extremely reliable, effective, and inspiring tool. This is true not only for its technical qualities but for the concrete contribution it made to the photographic and narrative vision of the project, allowing me to capture images I otherwise might have missed.

In a body of work dedicated to precision, identity, and the beauty hidden in details, Sigma’s optical rigor and attention to the real-world needs of photographers in the field aligned perfectly with my narrative requirements.

The collaboration with Sigma has been extremely pleasant and productive. It will be my pleasure to send a copy of the book once it is ready and to share the results of this journey, perhaps even with a view toward a possible presentation at Sigma Japan.

In the meantime, I am pleased to provide a series of photographs taken between Murano and Venice with the Sigma 10-18mm f/2.8. You may use them exclusively on your social media channels, with a mention of the project and my name if you deem it appropriate.

MATTIA GAIDO

Photographer

Mattia Gaido is a graduate of the Albertina Academy of Fine Arts and holds a Master in Visual Storytelling from the International Center of Photography and CAMERA.

His documentary work explores the relationship between humanity and the landscape, focusing on architectural, manufactured, and artistic production. Viewing photography as a medium for human connection, he has developed projects across Turkey, Tanzania, India, Kenya, and Europe, including a recent series on the backstage of opera houses.

He is currently working on a long-term project documenting Murano Glass Bead making, sponsored by the CPVV and featured in the City of Venice's Le Città in Festa program. Through his work, he aims to inspire others to pursue their own creative and poetic paths.